Contact
For acquisitions, commissions, orders, and collaborative projects, please use the contact channels below to get in touch.
Calls / WhatsApp / Telegram:
UAE +971 557 662 916
Email:
arts.kirin@gmail.com
Instagram:
Kirin Arts
Licence CN-6377243 (ADRA)
Calls / WhatsApp / Telegram:
UAE +971 557 662 916
Email:
arts.kirin@gmail.com
Instagram:
Kirin Arts
Licence CN-6377243 (ADRA)
WINS & HONORS
Celebrating Our Achievements & Milestones
We’re still adding to this section, with many more accomplishments to showcase shortly.
Guest Appearance on “Without Borders” program — GTRK Samara
In June 2026, I was invited as a guest of the program “Without Borders” (“Без берегов”) on GTRK Samara, hosted by Katya Arzhanova — singer, TV and radio host, participant in charitable initiatives, speaker at the Rock Museum lecture series, organizer of author’s concerts, and resident of musical projects in the UAE.
The interview focused on my artistic journey, the development of Kirin Arts, my international creative projects, and my exploration of the intersections between art, science, consciousness, and new forms of artistic expression.
The conversation became an opportunity to present my approach to contemporary art and share the ideas behind my projects with the audience of GTRK Samara.
The program recording took place at the studios of GTRK Samara, the regional branch of VGTRK, one of Russia’s leading television and radio broadcasting organizations.
The interview is scheduled for release in September 2026 on the media platforms of GTRK Samara, including its television, radio, and digital platforms. Further broadcast details and links will be announced later.
The interview focused on my artistic journey, the development of Kirin Arts, my international creative projects, and my exploration of the intersections between art, science, consciousness, and new forms of artistic expression.
The conversation became an opportunity to present my approach to contemporary art and share the ideas behind my projects with the audience of GTRK Samara.
The program recording took place at the studios of GTRK Samara, the regional branch of VGTRK, one of Russia’s leading television and radio broadcasting organizations.
The interview is scheduled for release in September 2026 on the media platforms of GTRK Samara, including its television, radio, and digital platforms. Further broadcast details and links will be announced later.
MAGICAL FOREST — A Gift of Wonder for the Forest School No. 9, Samara
June 2026 | Charity Art Project | Samara, Russia
June 2026 | Charity Art Project | Samara, Russia
The story of Magical Forest began long before it became a ceramic mural. Its first form was a sketch created for an acrylic wall painting in my apartment in Samara, inspired by childhood memories of Samarskaya Luka National Park — its ancient forests, rivers, limestone cliffs, hidden trails, legends, and family stories.
These images were never meant to depict one real place. They became a landscape of many forests from parallel worlds, where memory, nature, mythology, and imagination merge into a single living ecosystem.
Years later, my team and I transformed the drawings into ceramic fragments in my studio. In November 2025, these pieces were first exhibited at G-Gallery in Samara as mysterious “artifacts” gathered from an enchanted forest, before traveling to the exhibition “Own Format”, organized by the Union of Designers of Russia, where I am a member.
With time, a clear feeling emerged that Magical Forest belonged in a public space. This place was found at Sanatorium Forest School No. 9 in Samara — a special boarding school for children with bronchopulmonary health conditions, where education, medical care, and support are united into one environment.
After meeting the school director Tatiana Yuryevna Safiullina, the teachers, specialists, and children, I understood that this was the home for Magical Forest. I wanted to create not only an artwork, but a space that awakens curiosity, imagination, playfulness, and a sense of possibility — what I call therapy of states.
In June 2026, I spent three weeks at the school completing the final stage of the project: assembling the ceramic relief, finishing the background, and integrating light elements. The mural was created through hand-shaped ceramic forms, relief techniques, and illumination, exploring the connection between the visible and invisible, material and imagination.
On June 30, 2026, Magical Forest officially became part of Forest School No. 9 during the graduation ceremony of ninth-grade students. It was my gift to the school, its children, teachers, and everyone who creates this special environment every day.
The official presentation was made by my representative in Samara — Kristina Lantsova, Art Director of the international G-Gallery. I am deeply grateful to Kristina for her dedication, care, and support throughout this project.
The opening ceremony was attended by distinguished guests, including Oksana Yuryevna Kovnir, Professor of the Russian Academy of Natural Sciences; Vyacheslav Murtazin, Deputy and Assistant to a State Duma Deputy; and Irina Cherepanova, Deputy Head of Samara’s Promyshlenny District Administration.
I would like to express my sincere gratitude to Tatiana Yuryevna Safiullina and the entire team of teachers, doctors, specialists, and staff of Forest School No. 9 for their trust and for the warmth and care they bring to children every day.
Media Coverage
The Magical Forest mural received attention from regional cultural and media platforms:
These images were never meant to depict one real place. They became a landscape of many forests from parallel worlds, where memory, nature, mythology, and imagination merge into a single living ecosystem.
Years later, my team and I transformed the drawings into ceramic fragments in my studio. In November 2025, these pieces were first exhibited at G-Gallery in Samara as mysterious “artifacts” gathered from an enchanted forest, before traveling to the exhibition “Own Format”, organized by the Union of Designers of Russia, where I am a member.
With time, a clear feeling emerged that Magical Forest belonged in a public space. This place was found at Sanatorium Forest School No. 9 in Samara — a special boarding school for children with bronchopulmonary health conditions, where education, medical care, and support are united into one environment.
After meeting the school director Tatiana Yuryevna Safiullina, the teachers, specialists, and children, I understood that this was the home for Magical Forest. I wanted to create not only an artwork, but a space that awakens curiosity, imagination, playfulness, and a sense of possibility — what I call therapy of states.
In June 2026, I spent three weeks at the school completing the final stage of the project: assembling the ceramic relief, finishing the background, and integrating light elements. The mural was created through hand-shaped ceramic forms, relief techniques, and illumination, exploring the connection between the visible and invisible, material and imagination.
On June 30, 2026, Magical Forest officially became part of Forest School No. 9 during the graduation ceremony of ninth-grade students. It was my gift to the school, its children, teachers, and everyone who creates this special environment every day.
The official presentation was made by my representative in Samara — Kristina Lantsova, Art Director of the international G-Gallery. I am deeply grateful to Kristina for her dedication, care, and support throughout this project.
The opening ceremony was attended by distinguished guests, including Oksana Yuryevna Kovnir, Professor of the Russian Academy of Natural Sciences; Vyacheslav Murtazin, Deputy and Assistant to a State Duma Deputy; and Irina Cherepanova, Deputy Head of Samara’s Promyshlenny District Administration.
I would like to express my sincere gratitude to Tatiana Yuryevna Safiullina and the entire team of teachers, doctors, specialists, and staff of Forest School No. 9 for their trust and for the warmth and care they bring to children every day.
Media Coverage
The Magical Forest mural received attention from regional cultural and media platforms:
- ArtVesti.ru >> — feature article about the creation and presentation of the Magical Forest mural.
- Samarskoye Obozreniye (Самарское Обозрение) >> — newspaper feature covering the mural’s unveiling ceremony at Forest School No. 9 and its significance for the school community.
- TV Channel 450 (formerly Guberniya) — participation in the program “Takoe Utro” (“Such a Morning”) >> with Kristina Lantsova, Art Director of the international G-Gallery, discussing the story of the mural, my artistic journey, and the worlds created through my projects.
Nominated for the Global Arts Prize for Innovation 2026 by the Global Leaders Institute"
May, 2026
Global leaders Institute for Arts Innovation (1701 Rhode Island Ave NW, Washington, DC 20036, United States)
May, 2026
Global leaders Institute for Arts Innovation (1701 Rhode Island Ave NW, Washington, DC 20036, United States)
Honored to be recognized as an Official Nominee for the 2026 Global Arts Prize for Innovation by the Global Leaders Institute! 🌟
Headquartered in Washington, D.C., the Global Leaders Institute is a premier executive graduate school that champions the intersection of arts, business, and social impact. Their annual Global Arts Prize program is specifically designed to celebrate and fund forward-thinking initiatives that are actively redefining the relevance of culture in contemporary society. 🌟 With over 10,000 nominations submitted across 120 nations, it is incredibly meaningful to have my work recognized on this international platform for Arts Innovation.
This recognition aligns deeply with the core philosophy of KIRIN ARTS. As a meta-cultural artist, architect, and researcher, my practice operates at the exact crossroads of creative entrepreneurship, conceptual research, and structural design. I use art not just as an aesthetic medium, but as a system to map human consciousness and translate invisible metaphysical concepts into physical experiences.
My work embraces a metamodern approach: continuously oscillating between architectural precision and spiritual depth, scientific inquiry and myth-making. Through ceramics, paintings, and immersive architectural installations, I construct multi-layered portals to the sublime—inviting viewers to step into a structured field where the invisible becomes felt.
Deeply grateful to the global arts community for this recognition, and to everyone who continues to journey through the "Theater of Invisible" with me. 🪐✨
Headquartered in Washington, D.C., the Global Leaders Institute is a premier executive graduate school that champions the intersection of arts, business, and social impact. Their annual Global Arts Prize program is specifically designed to celebrate and fund forward-thinking initiatives that are actively redefining the relevance of culture in contemporary society. 🌟 With over 10,000 nominations submitted across 120 nations, it is incredibly meaningful to have my work recognized on this international platform for Arts Innovation.
This recognition aligns deeply with the core philosophy of KIRIN ARTS. As a meta-cultural artist, architect, and researcher, my practice operates at the exact crossroads of creative entrepreneurship, conceptual research, and structural design. I use art not just as an aesthetic medium, but as a system to map human consciousness and translate invisible metaphysical concepts into physical experiences.
My work embraces a metamodern approach: continuously oscillating between architectural precision and spiritual depth, scientific inquiry and myth-making. Through ceramics, paintings, and immersive architectural installations, I construct multi-layered portals to the sublime—inviting viewers to step into a structured field where the invisible becomes felt.
Deeply grateful to the global arts community for this recognition, and to everyone who continues to journey through the "Theater of Invisible" with me. 🪐✨
"Guardians of the Nation" group exhibition at the University of Sharjah, UAE
May 4-16, 2026
The group exhibition, curated by the University of Sharjah in partnership with DiarBid Arthouse, Emirates Fine Arts Society, Dubai Culture & Arts Authority, and Aswar Art Centre
Highlighted by the presense of Highness Sheikh Sultan bin Ahmed bin Sultan Al-Qasimi, Deputy Governor of Sharjah, President of Sharjah University
May 4-16, 2026
The group exhibition, curated by the University of Sharjah in partnership with DiarBid Arthouse, Emirates Fine Arts Society, Dubai Culture & Arts Authority, and Aswar Art Centre
Highlighted by the presense of Highness Sheikh Sultan bin Ahmed bin Sultan Al-Qasimi, Deputy Governor of Sharjah, President of Sharjah University
✨ LOVING HANDS: tribute to the UAE Armed Forces
Selected for the “Guardians of the Nation” Exhibition, University of Sharjah
“Loving Hands” has been selected for the Guardians of the Nation exhibition at the University of Sharjah, organized by Diarbid Art House in collaboration with University of Sharjah, Aswar Art Centre, Emirates Fine Arts Society, and Dubai Culture & Arts Authority.
The sculpture was conceived as part of the Loving Hands series — a fusion of hand and heart forms, where the palm creates a contained space that holds and protects what we love. Initially, the surface carried floral drawings, reflecting a living, generative system.
In March 2026, the meaning of the work shifted. The sculpture was started one day before Iran began attacking the UAE and completed as the conflict came to an end. During this time, the work was directly shaped by lived reality. The outer surface became marked with scratches and traces of impact, transforming the hand into a shield — a structure of absorption and protection.
Created to the sound of alarms, air defense systems, and aircraft monitoring the sky, the work reflects a dual condition: an outer layer of tension and endurance, and an inner space where life continues to grow. This contrast became central — protection not as separation, but as the condition that allows life to continue.
This experience is connected to those who absorb impact in order to protect others. During the 2026 Iranian conflict, this role is embodied by the UAE Armed Forces — for every resident and guest, and personally for the artist, who has lived in the UAE for more than six years.
Following the invitation to participate in the exhibition, a final layer was added — the tattoo layer. Symbols of the Armed Forces were inscribed onto the surface, not as decoration, but as identification of the protective structure. This gesture completes the transformation of the work into a visible and embodied tribute.
“Loving Hands” stands as a reflection on protection, endurance, and gratitude — honoring the Guardians of the Nation and acknowledging the unseen cost carried so that others may continue to live, create, and grow.
☆ Morse code is embedded within the drawings, including the flag, where its colors are translated into signal. Beneath it, the message “I’ve got you” appears.
The work honors the Guardians of the Nation — and the Loving Hands that carry the unseen cost of protection.
Selected for the “Guardians of the Nation” Exhibition, University of Sharjah
“Loving Hands” has been selected for the Guardians of the Nation exhibition at the University of Sharjah, organized by Diarbid Art House in collaboration with University of Sharjah, Aswar Art Centre, Emirates Fine Arts Society, and Dubai Culture & Arts Authority.
The sculpture was conceived as part of the Loving Hands series — a fusion of hand and heart forms, where the palm creates a contained space that holds and protects what we love. Initially, the surface carried floral drawings, reflecting a living, generative system.
In March 2026, the meaning of the work shifted. The sculpture was started one day before Iran began attacking the UAE and completed as the conflict came to an end. During this time, the work was directly shaped by lived reality. The outer surface became marked with scratches and traces of impact, transforming the hand into a shield — a structure of absorption and protection.
Created to the sound of alarms, air defense systems, and aircraft monitoring the sky, the work reflects a dual condition: an outer layer of tension and endurance, and an inner space where life continues to grow. This contrast became central — protection not as separation, but as the condition that allows life to continue.
This experience is connected to those who absorb impact in order to protect others. During the 2026 Iranian conflict, this role is embodied by the UAE Armed Forces — for every resident and guest, and personally for the artist, who has lived in the UAE for more than six years.
Following the invitation to participate in the exhibition, a final layer was added — the tattoo layer. Symbols of the Armed Forces were inscribed onto the surface, not as decoration, but as identification of the protective structure. This gesture completes the transformation of the work into a visible and embodied tribute.
“Loving Hands” stands as a reflection on protection, endurance, and gratitude — honoring the Guardians of the Nation and acknowledging the unseen cost carried so that others may continue to live, create, and grow.
☆ Morse code is embedded within the drawings, including the flag, where its colors are translated into signal. Beneath it, the message “I’ve got you” appears.
The work honors the Guardians of the Nation — and the Loving Hands that carry the unseen cost of protection.
"THEATER OF INVISIBLE: Episode 1" solo exhibition at G-gallery in Samara, Russia
November 24 - December 3, 2025
November 28 - Live performance of Lidia Igolnikova (handpan) with the preview of the 1st Episode of the "Theater of Invisible" series
G-Gallery,Samara, Russia (Alekseya Tolstogo, 75)
November 24 - December 3, 2025
November 28 - Live performance of Lidia Igolnikova (handpan) with the preview of the 1st Episode of the "Theater of Invisible" series
G-Gallery,Samara, Russia (Alekseya Tolstogo, 75)
✨ Space Consciousness Making Contact with Humankind
The overarching narrative of the project is a story in which a being inhabiting a human body enters into dialogue with a cosmic soul. This soul is immense, shifting in form—sometimes bird-like, sometimes resembling a cosmic dragon, sometimes taking other shapes. For human perception, it evokes the ancient Japanese mythical creature Kirin, and for now, we will continue to call it that.
Kirin sends signals, transmits stories, and slightly stretches the boundaries of space and time to establish contact with humanity. Episode 1 unfolds within this context.
The viewer encounters seven ceramic panels, a kaleidoscope of earthly stories of seemingly ordinary people. These are not portraits of faces or bodies, but portraits of souls and inner quests—portraits of those whose essence cannot fully fit into the human body or physical space. Each of these individuals is searching, attuned to notice when something greater enters their field.
Each soul receives its message from the cosmic consciousness—a feather, materializing as if from nowhere, becoming an artifact in its own right (Art Object #8). The attention of each individual becomes a thread woven into the complex network connecting to Meta-consciousness.
Remember, this is Kirin, the cosmic being itself, represented as Art Object #9, serving as both messenger and nexus of this communication.
Throughout the exhibition space, additional collaged objects from other worlds continue this dialogue:
A feather-table for tea meditation (Art Object #10) invites contemplative interaction.
Fragments of the “Enchanted Forest” mosaic, placed in boxes like treasures in chests (Art Object #11), suggest discoveries waiting to be made remnants of other realms intersecting with ours.
Together, these elements construct the first episode of a living narrative, a meeting between human seekers and cosmic consciousness, a delicate choreography of perception, attention, and inner transformation. The exhibition here is not a map of what the soul looks like, but a portal showing how it moves, senses, and resonates across layers of existence.
This story is also captured in an art film. Its completion is currently underway: Lidiya Igolnikova, who composed the music for this episode, is recording tracks for the final montage. You have the opportunity to be among the first to witness the footage in its working form and hear in Lidiya’s sounds echoes of that space, where Kirin’s consciousness and human souls enter dialogue—a space that cannot be seen with the eyes, but felt through rhythm, sound, and energy. The film becomes an extension of the exhibition, allowing the experience to unfold visually, audibly, and internally, immersing the viewer in the dance of consciousness on the canvas of being.
The overarching narrative of the project is a story in which a being inhabiting a human body enters into dialogue with a cosmic soul. This soul is immense, shifting in form—sometimes bird-like, sometimes resembling a cosmic dragon, sometimes taking other shapes. For human perception, it evokes the ancient Japanese mythical creature Kirin, and for now, we will continue to call it that.
Kirin sends signals, transmits stories, and slightly stretches the boundaries of space and time to establish contact with humanity. Episode 1 unfolds within this context.
The viewer encounters seven ceramic panels, a kaleidoscope of earthly stories of seemingly ordinary people. These are not portraits of faces or bodies, but portraits of souls and inner quests—portraits of those whose essence cannot fully fit into the human body or physical space. Each of these individuals is searching, attuned to notice when something greater enters their field.
Each soul receives its message from the cosmic consciousness—a feather, materializing as if from nowhere, becoming an artifact in its own right (Art Object #8). The attention of each individual becomes a thread woven into the complex network connecting to Meta-consciousness.
Remember, this is Kirin, the cosmic being itself, represented as Art Object #9, serving as both messenger and nexus of this communication.
Throughout the exhibition space, additional collaged objects from other worlds continue this dialogue:
A feather-table for tea meditation (Art Object #10) invites contemplative interaction.
Fragments of the “Enchanted Forest” mosaic, placed in boxes like treasures in chests (Art Object #11), suggest discoveries waiting to be made remnants of other realms intersecting with ours.
Together, these elements construct the first episode of a living narrative, a meeting between human seekers and cosmic consciousness, a delicate choreography of perception, attention, and inner transformation. The exhibition here is not a map of what the soul looks like, but a portal showing how it moves, senses, and resonates across layers of existence.
This story is also captured in an art film. Its completion is currently underway: Lidiya Igolnikova, who composed the music for this episode, is recording tracks for the final montage. You have the opportunity to be among the first to witness the footage in its working form and hear in Lidiya’s sounds echoes of that space, where Kirin’s consciousness and human souls enter dialogue—a space that cannot be seen with the eyes, but felt through rhythm, sound, and energy. The film becomes an extension of the exhibition, allowing the experience to unfold visually, audibly, and internally, immersing the viewer in the dance of consciousness on the canvas of being.
Featured on ARTSY with ArtRewards gallery (Oslo)
Since summer 2025
Since summer 2025
🔥 My works are live on Artsy, featured with ArtRewards Gallery (Oslo) since summer and already part of many online exhibitions.
1. Spiritual Landscapes - 11-16 November 2025
2. Mapping the Sacred Landscape - 12-19 October 2025
3. Dreamscapes and Realities: A Surrealist Perspective - 21-28 September 2025
4. The Art of Drawing: a Collection - 14-21 September 2025
5. Sculptural Perspective - 31 August - 7 September 2025
6. Divine Narratives: Art of Myth and Faith - 3-10 August 2025
7. Reflections of Identity - 26 July - 2 August 2025
8. Visions in oil - 20-27 July 2025
9. Through the Looking Mind - 12-19 July 2025
10. Anatomy of Expression: a Study in Form - 5-12 July 2025
11. Botanical Brushstrokes 28 June - 5 July 2025
And more is yet to come. Follow for the updates.
1. Spiritual Landscapes - 11-16 November 2025
2. Mapping the Sacred Landscape - 12-19 October 2025
3. Dreamscapes and Realities: A Surrealist Perspective - 21-28 September 2025
4. The Art of Drawing: a Collection - 14-21 September 2025
5. Sculptural Perspective - 31 August - 7 September 2025
6. Divine Narratives: Art of Myth and Faith - 3-10 August 2025
7. Reflections of Identity - 26 July - 2 August 2025
8. Visions in oil - 20-27 July 2025
9. Through the Looking Mind - 12-19 July 2025
10. Anatomy of Expression: a Study in Form - 5-12 July 2025
11. Botanical Brushstrokes 28 June - 5 July 2025
And more is yet to come. Follow for the updates.
DUALITY exhibition with the "ART FAIT" in London
October 31, 2025
Indra Gallery, London (20 East Rd, N1 6AD)
October 31, 2025
Indra Gallery, London (20 East Rd, N1 6AD)
✨ I’m delighted to have participated in Duality, curated by Art.Fait, at Indra Gallery, London. The opening night was infused with Bohemian London vibes — a fluid mix of artists, collectors, and art enthusiasts moving through the gallery, exchanging ideas, and experiencing the works in an intimate, energetic space.
My piece joined a diverse ensemble exploring the theme of duality in all its forms: light and shadow, chaos and harmony, reflection and contrast. Each artwork offered its own voice, yet together they created a rhythm that felt alive.
My piece joined a diverse ensemble exploring the theme of duality in all its forms: light and shadow, chaos and harmony, reflection and contrast. Each artwork offered its own voice, yet together they created a rhythm that felt alive.
WORLD ART DUBAI 2025 with Artezaar gallery
April 17-20, 2025
Dubai World Trade Centre; Stands No - RA10-RA01-RA02-RA03
April 17-20, 2025
Dubai World Trade Centre; Stands No - RA10-RA01-RA02-RA03
About WORLD ART DUBAI:
World Art Dubai, the largest art fair in the MENA region, returns for its 11th edition from 17-20 April 2025 (with a VIP Preview on 16 April) at the Dubai World Trade Centre. Featuring an extraordinary lineup of international artists and galleries, WAD will present over 10,000 artworks from more than 400 artists and galleries across 65+ countries, creating an immersive space for discovery and innovation.
Following the success of the previous edition, which welcomed 15,000 visitors, this year’s event promises to attract even more art lovers. With live performances, workshops, and discussions, WAD will offer a vibrant atmosphere of creativity and inspiration—all under one roof.
About MY SELECTED ART-WORKS:
I present a selection of three hyper-detailed graphic artworks from the MAGNIFICENT LANDSCAPES series—visual explorations of interconnected realms where organic forms, flowing lines, and intricate details reveal hidden dimensions. Each piece is meticulously crafted on fine art paper using ink, watercolor, and liners, with additional tonal depth created from coffee and spices. Measuring 40x60 cm in a vertical format, the artworks are framed in hand-painted wooden borders designed to seamlessly integrate with their composition.
Each artwork is framed with a wide paper border, evoking the feel of illustrations within a timeless book of stories. This margin is not merely an empty space but an extension of the narrative itself, where delicate linework and subtle forms drift beyond the central image, dissolving the boundary between the artwork and its surroundings. Accompanying each piece is a short poetic verse, a hokku, offering a distilled reflection of its essence.
World Art Dubai, the largest art fair in the MENA region, returns for its 11th edition from 17-20 April 2025 (with a VIP Preview on 16 April) at the Dubai World Trade Centre. Featuring an extraordinary lineup of international artists and galleries, WAD will present over 10,000 artworks from more than 400 artists and galleries across 65+ countries, creating an immersive space for discovery and innovation.
Following the success of the previous edition, which welcomed 15,000 visitors, this year’s event promises to attract even more art lovers. With live performances, workshops, and discussions, WAD will offer a vibrant atmosphere of creativity and inspiration—all under one roof.
About MY SELECTED ART-WORKS:
I present a selection of three hyper-detailed graphic artworks from the MAGNIFICENT LANDSCAPES series—visual explorations of interconnected realms where organic forms, flowing lines, and intricate details reveal hidden dimensions. Each piece is meticulously crafted on fine art paper using ink, watercolor, and liners, with additional tonal depth created from coffee and spices. Measuring 40x60 cm in a vertical format, the artworks are framed in hand-painted wooden borders designed to seamlessly integrate with their composition.
Each artwork is framed with a wide paper border, evoking the feel of illustrations within a timeless book of stories. This margin is not merely an empty space but an extension of the narrative itself, where delicate linework and subtle forms drift beyond the central image, dissolving the boundary between the artwork and its surroundings. Accompanying each piece is a short poetic verse, a hokku, offering a distilled reflection of its essence.
Two of my artworks with the "ART FAIT" in London
April 12, 2025
The Old Street Gallery
62 Paul Street, Leonard Circus, London EC2A 4DQ
April 12, 2025
The Old Street Gallery
62 Paul Street, Leonard Circus, London EC2A 4DQ
I'm thrilled to announce my participation in an exciting upcoming exhibition at OLD STREET GALLERY, featuring an incredible lineup of talented artists! This event promises an immersive experience brimming with creativity and inspiration.
🌐 Virtual Exhibition: Opens 25th January
🖼️ Physical Exhibition: Opens 12th April
I will be showcasing two pieces of my art:
🖌️ "Who am I" - oil on canvas
🌱 "Seed" - spices, watercolor, ink on paper
Both artworks will be presented as prints on canvas, with the originals available for sale upon request.
This is a fantastic opportunity to experience a diverse range of artistic expressions in a single space. Mark your calendars, and don’t miss this celebration of art and creativity!
Stay tuned for more details and sneak peeks. I can’t wait to share this journey with you all!
🌐 Virtual Exhibition: Opens 25th January
🖼️ Physical Exhibition: Opens 12th April
I will be showcasing two pieces of my art:
🖌️ "Who am I" - oil on canvas
🌱 "Seed" - spices, watercolor, ink on paper
Both artworks will be presented as prints on canvas, with the originals available for sale upon request.
This is a fantastic opportunity to experience a diverse range of artistic expressions in a single space. Mark your calendars, and don’t miss this celebration of art and creativity!
Stay tuned for more details and sneak peeks. I can’t wait to share this journey with you all!
#ArtExhibition #OldStreetGallery #VirtualExhibition #PhysicalExhibition #ArtForSale #WhoAmI #Seed #CreativityUnleashed
KIRIN in TOKYO: my graphic art-work 'Worlds that we do not see' is exhibiting with Holy Art Gallery
February 14-17, 2025
The Holy Art Gallery
12 Chuo City, Tokyo 103-0005 Japan
February 14-17, 2025
The Holy Art Gallery
12 Chuo City, Tokyo 103-0005 Japan
I’m excited to share that my artwork "Worlds that we do not see" will be part of a spectacular show at a brand-new space of the Holy Art Gallery chain in the heart of Tokyo this February 2025! Prepare to experience a world of creativity and inspiration that will leave you in awe. Don’t miss out! ✨ #TokyoExhibition #TheHolyArtGallery #ArtShow2025 #staycreative
About the picture "Worlds that we do not see"
Event Schedule:
Opening Night: February 14, 2025
Open to the Public: February 15-17, 2025
Address: 12 Chuo City, Tokyo 103-0005 Japan
Tokyo Metro Hibiya Line "Kayabacho Station" 2 minutes walk from Exit 11
Tokyo Metro Ginza Line "Japanbashi Station" 5 minutes walk from Exit D2
Two of My Shadows in "The Dark Side" exhibition in London
November 8, 2024
Boomer Gallery, Tower Bridge District
150 Tooley Street, SE1 2TU, London
November 8, 2024
Boomer Gallery, Tower Bridge District
150 Tooley Street, SE1 2TU, London
"Does a latent shadow reside in the heart of artistic creation and within the souls of the artists themselves?
If any figure could parallel the introspective solitude of a monk, it is the visual artist. Though it may stir debate, let us reflect. Consider the profound solitude, the palpable stillness of the studio where silent hours merge into days, as the artist labors and broods over their craft, fervently hoping for the world to awaken to the brilliance of their ideas, to feel the pulse of their passion embedded in their work.
In this sacred space, sanity often hangs by a delicate thread. In that dim studio corner, the artist’s once cherished chair becomes a silent sentinel, marking the site of internal battles. Here, in the quiet chaos reminiscent of Van Gogh’s own torments, the artist faces the relentless inquisition of their worth, questioning their identity with every fleeting moment: Is my art a true reflection of my essence?
The exhibition aims to bridge the gap between the artist’s secluded atelier and the broader world, illuminating the enigmatic beauty that thrives in the shadows.
Casting light upon our exhibition is the globally celebrated art critic, Tabish Khan, who will grace our opening event on the 8th of November, delivering an insightful speech on the exhibition’s theme."
If any figure could parallel the introspective solitude of a monk, it is the visual artist. Though it may stir debate, let us reflect. Consider the profound solitude, the palpable stillness of the studio where silent hours merge into days, as the artist labors and broods over their craft, fervently hoping for the world to awaken to the brilliance of their ideas, to feel the pulse of their passion embedded in their work.
In this sacred space, sanity often hangs by a delicate thread. In that dim studio corner, the artist’s once cherished chair becomes a silent sentinel, marking the site of internal battles. Here, in the quiet chaos reminiscent of Van Gogh’s own torments, the artist faces the relentless inquisition of their worth, questioning their identity with every fleeting moment: Is my art a true reflection of my essence?
The exhibition aims to bridge the gap between the artist’s secluded atelier and the broader world, illuminating the enigmatic beauty that thrives in the shadows.
Casting light upon our exhibition is the globally celebrated art critic, Tabish Khan, who will grace our opening event on the 8th of November, delivering an insightful speech on the exhibition’s theme."
Boomer Gallery
"Impulse of Cosmic Inspiration from the Friendly Andromeda Constellation"
Ceramic Mural displayed in the International Meeting Room of the Institute of Biomedical Problems of RAS, 2024
Ceramic Mural displayed in the International Meeting Room of the Institute of Biomedical Problems of RAS, 2024
As space agencies around the globe prepare for humanity's next monumental journey beyond the confines of Earth, my mission is to expand our mental and energetic frontiers. I seek to build bridges not only between dimensions but also to connect with the myriad forms of life that may await us on our cosmic journey—a vision that inspired the creation of this project. The mural series, titled "Space Horses," is dedicated to channeling and grounding the celestial energies from distant constellations into our shared reality. Each mural serves as a portal, inviting viewers to connect with the vibrancy and wisdom of the cosmos.
The inaugural piece, inspired by the Andromeda constellation, now graces the international meeting room of the Institute of Biomedical Problems (IMBP) at the Russian Academy of Sciences. During my visit to IMBP, I had the honor of meeting their dedicated team and was guided on a tour of this remarkable institution. Those cherished moments from this experience are captured in displayed photos. You can see my photo with Oleg Orlov, the director of IMBP, symbolizing our mutual commitment to advancing knowledge and exploration in the realms of science and consciousness.
This mural has elicited profound interest and admiration from global representatives, including the delegation from the Mohammed Bin Rashid Space Agency during their visit to Moscow. Now residing in the UAE, I am deeply honored by their enthusiastic response and am in the process of preparing a new space-horse mural to bring the vast energies of the stars to their homeland.
The "Space Horses" series is crafted not only as an aesthetic experience but also as an energetic bridge to the farthest corners of the universe, fostering connections between diverse cultures and the cosmos. I eagerly anticipate continuing this journey, installing future pieces around the world as beacons of cosmic inspiration and interconnectedness.
The inaugural piece, inspired by the Andromeda constellation, now graces the international meeting room of the Institute of Biomedical Problems (IMBP) at the Russian Academy of Sciences. During my visit to IMBP, I had the honor of meeting their dedicated team and was guided on a tour of this remarkable institution. Those cherished moments from this experience are captured in displayed photos. You can see my photo with Oleg Orlov, the director of IMBP, symbolizing our mutual commitment to advancing knowledge and exploration in the realms of science and consciousness.
This mural has elicited profound interest and admiration from global representatives, including the delegation from the Mohammed Bin Rashid Space Agency during their visit to Moscow. Now residing in the UAE, I am deeply honored by their enthusiastic response and am in the process of preparing a new space-horse mural to bring the vast energies of the stars to their homeland.
The "Space Horses" series is crafted not only as an aesthetic experience but also as an energetic bridge to the farthest corners of the universe, fostering connections between diverse cultures and the cosmos. I eagerly anticipate continuing this journey, installing future pieces around the world as beacons of cosmic inspiration and interconnectedness.
"Theater of the Invisible" animated movie-series
Episode 1 - The finishing touches are being made
Art-movie, Based on the acclaimed ceramic artworks
Episode 1 - The finishing touches are being made
Art-movie, Based on the acclaimed ceramic artworks
Based on the acclaimed ceramic artworks - exhibited and valued by the Russian Ministry of Culture - these pieces come alive on screen, unveiling their stories and characters through the incredible performances of our cast.
The finishing touches are being made - with the soundtrack composed by the talented Lidiia Igolnikova. Stay tuned as we prepare to unveil this unique fusion of art and film!
In the veiled whispers of twilight, there exists a realm shrouded in mystery and enchantment — the "Theater of the Invisible." Here, amidst the shadows and secrets, art transcends its earthly forms to weave a tale of the unseen and the unknowable. In a world where we once sought solace in the tangible, this ethereal sanctuary beckons adventurers to peer beyond the veil and uncover the hidden truths that lie beneath.
With each stroke of the brush and every note sung into the night, the "Theater of the Invisible" unravels the mysteries of the soul, delving into the depths of the unseen and the intangible. Here, multimedia crafts become vessels for the arcane currents that course through our veins, capturing glimpses of the ethereal and the ephemeral. Each art-object, imbued with a whisper of the unknown, becomes a souvenir from a journey beyond the bounds of time and space.
As shadows dance upon the walls and whispers echo through the hallowed halls, participants are drawn into a world of intrigue and revelation. In the flickering candlelight, the art-object becomes a key to unlock the secrets of the universe, a beacon guiding souls through the labyrinth of existence. Through this enigmatic experience, viewers are invited to embark on a quest of self-discovery, to unravel the mysteries of their own inner landscapes, and to behold the invisible threads that bind us all.
The finishing touches are being made - with the soundtrack composed by the talented Lidiia Igolnikova. Stay tuned as we prepare to unveil this unique fusion of art and film!
In the veiled whispers of twilight, there exists a realm shrouded in mystery and enchantment — the "Theater of the Invisible." Here, amidst the shadows and secrets, art transcends its earthly forms to weave a tale of the unseen and the unknowable. In a world where we once sought solace in the tangible, this ethereal sanctuary beckons adventurers to peer beyond the veil and uncover the hidden truths that lie beneath.
With each stroke of the brush and every note sung into the night, the "Theater of the Invisible" unravels the mysteries of the soul, delving into the depths of the unseen and the intangible. Here, multimedia crafts become vessels for the arcane currents that course through our veins, capturing glimpses of the ethereal and the ephemeral. Each art-object, imbued with a whisper of the unknown, becomes a souvenir from a journey beyond the bounds of time and space.
As shadows dance upon the walls and whispers echo through the hallowed halls, participants are drawn into a world of intrigue and revelation. In the flickering candlelight, the art-object becomes a key to unlock the secrets of the universe, a beacon guiding souls through the labyrinth of existence. Through this enigmatic experience, viewers are invited to embark on a quest of self-discovery, to unravel the mysteries of their own inner landscapes, and to behold the invisible threads that bind us all.
Kirin Arts joins the Unified Register of authors and certificated works "ARTREESTR", 2024
We are delighted to share that Kirin Arts has been recognized in the Unified Register of Authors and Certified Works, also known as ARTREESTR. This inclusion is a testament to the originality, artistic value, and quality of our work, as ARTEESTR certifies artworks that meet high standards of authenticity and craftsmanship.
Being part of ARTREESTR brings Kirin Arts into a respected network of artists dedicated to creative excellence. This certification not only safeguards our creations but also provides a trusted platform that affirms the distinctiveness of each piece.
Being part of ARTREESTR brings Kirin Arts into a respected network of artists dedicated to creative excellence. This certification not only safeguards our creations but also provides a trusted platform that affirms the distinctiveness of each piece.
«THE MYSTERY OF IMAGE AND SOUND: singing universes of KIRIN»
September 2022, "BRATASHЪ ART GALLERY"; Samara, Russia
***Under Support of the Ministry of Culture of Russian Federation***
September 2022, "BRATASHЪ ART GALLERY"; Samara, Russia
***Under Support of the Ministry of Culture of Russian Federation***
The event "The Mystery of Image and Sound: Singing Universes of KIRIN," held on September 3rd at BRATASHЪ ART GALLERY in Samara, marked the grand finale of an exhibition showcasing the ceramic murals of KIRIN. This performance combined diverse artistic forms, merging visual art, music, and movement into an immersive experience.
The unique ceramic murals formed the foundation of the event. Inspired by the essence of each piece, the performance incorporated live handpan, violin, voice, and piano alongside projected light and movement. By interpreting the murals musically, the event evoked a journey through various life stories and emotional landscapes.
The project has received recognition from the Russian Ministry of Culture, who have graciously acknowledged its cultural value. The presence of Ministry representatives was a profound honor, underscoring the project’s resonance and importance within the world of art and beyond. This mystery performance is an invitation to journey into the depths of creation, unlocking a connection to universal energies that transcends our everyday experience and reflects the timeless essence of the human spirit.
The unique ceramic murals formed the foundation of the event. Inspired by the essence of each piece, the performance incorporated live handpan, violin, voice, and piano alongside projected light and movement. By interpreting the murals musically, the event evoked a journey through various life stories and emotional landscapes.
The project has received recognition from the Russian Ministry of Culture, who have graciously acknowledged its cultural value. The presence of Ministry representatives was a profound honor, underscoring the project’s resonance and importance within the world of art and beyond. This mystery performance is an invitation to journey into the depths of creation, unlocking a connection to universal energies that transcends our everyday experience and reflects the timeless essence of the human spirit.
"CERAMICS: Earth, Space and Meta-verses"
Personal exhibition of ceramic murals
2022, "BRATASHЪ ART GALLERY"; Samara, Russia
Personal exhibition of ceramic murals
2022, "BRATASHЪ ART GALLERY"; Samara, Russia
In 2022, "BRATASHЪ ART GALLERY" in Samara hosted my personal exhibition, "CERAMICS: Earth, Space, and Meta-Verses." This collection of ceramic murals brought together themes from Earth, the vast reaches of space, and the meta-realms of imagination and emotion. Each mural invites viewers to explore multiple dimensions—drawing connections between tangible elements like clay and the intangible energies of space and spirit.
The exhibition invited visitors to consider the links between our world and the cosmos, using ceramics as a bridge between physical and metaphysical realms. Through shapes, textures, and storytelling, this series celebrates the fusion of Earth’s natural elements with the universal forces that lie beyond.
As part of the exhibition, we premiered the film "Creation Is: The Art of Ceramics," which later evolved into a book of the same name, further enriching the dialogue surrounding the art form.
The event received widespread media attention, with coverage from local TV channels, radio streams, and newspapers. A dedicated press conference at the Union of Journalists underscored the cultural significance of the exhibition.
The exhibition invited visitors to consider the links between our world and the cosmos, using ceramics as a bridge between physical and metaphysical realms. Through shapes, textures, and storytelling, this series celebrates the fusion of Earth’s natural elements with the universal forces that lie beyond.
As part of the exhibition, we premiered the film "Creation Is: The Art of Ceramics," which later evolved into a book of the same name, further enriching the dialogue surrounding the art form.
The event received widespread media attention, with coverage from local TV channels, radio streams, and newspapers. A dedicated press conference at the Union of Journalists underscored the cultural significance of the exhibition.
Pages of Purpose: Kirin’s Books of Spiritual Exploration and Creation
since 2021
since 2021
In 2021, Kirin Arts ventured into the world of self-publishing with "Unasked Questions and Unexpected Answers," a work that resonates with her signature blend of art and spirituality. This debut, created from 35 original graphic pieces and reflective text stories, invites readers to ponder spiritual questions that unlock pathways to self-exploration and inner growth. With each question serving as a gateway to understanding, the book offers keys to deeper self-awareness and is a testament to Kirin's lifelong journey of artistic and spiritual awakening.
Since then, this journey has expanded with titles like "Multidimensional Karmic Knot," "Yoga Nidra: The Journey Within," and "Creation Is: The Art of Ceramics." Each book serves as a conduit for the viewer's own journey, interweaving meditative art and spiritual teachings that speak to the soul’s inner calling. Here, Kirin’s artistry becomes a mirror of the soul's evolution, with visual art forms capturing ethereal themes that transcend words alone.
As both creator and spiritual guide, Kirin continues to channel her own transformation into these works, illuminating the path for others. Each new book represents a milestone in this journey—an unfolding collection that reflects her soul's artistic pilgrimage, inspired by the mysteries of existence. Through this deeply personal endeavor, she hopes to continue creating works that serve as touchstones for those seeking inner depth and awakening.
Since then, this journey has expanded with titles like "Multidimensional Karmic Knot," "Yoga Nidra: The Journey Within," and "Creation Is: The Art of Ceramics." Each book serves as a conduit for the viewer's own journey, interweaving meditative art and spiritual teachings that speak to the soul’s inner calling. Here, Kirin’s artistry becomes a mirror of the soul's evolution, with visual art forms capturing ethereal themes that transcend words alone.
As both creator and spiritual guide, Kirin continues to channel her own transformation into these works, illuminating the path for others. Each new book represents a milestone in this journey—an unfolding collection that reflects her soul's artistic pilgrimage, inspired by the mysteries of existence. Through this deeply personal endeavor, she hopes to continue creating works that serve as touchstones for those seeking inner depth and awakening.
Kirin Arts: Award-Winning Designer & Member of the Russian Association of Designers since 2014
Since joining the Association of Designers of Russia in 2014, Kirin Arts has achieved numerous accolades that highlight her contribution to the field of design. Recognized as a laureate and prize-winner at various exhibitions, including Own Format, her work has been celebrated for its unique blend of artistry, craftsmanship, and innovative expression.
Through this platform, Kirin’s art objects and design pieces have garnered national acclaim, earning award-winning certificates and recognition from distinguished juries. In these exhibitions, her creations continue to stand out, capturing the attention of art enthusiasts and professionals alike. This journey reflects Kirin’s dedication to pushing creative boundaries and her commitment to shaping the future of design with imaginative, meaningful works.
Through this platform, Kirin’s art objects and design pieces have garnered national acclaim, earning award-winning certificates and recognition from distinguished juries. In these exhibitions, her creations continue to stand out, capturing the attention of art enthusiasts and professionals alike. This journey reflects Kirin’s dedication to pushing creative boundaries and her commitment to shaping the future of design with imaginative, meaningful works.
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